"The Night's Templar" - a story inspired by Dr. Sketchy's Charleston, WV Branch.

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The following was written while visiting the Charleston, WV branch of Dr. Sketchy's Anti-Art School and their "Knights Templar" event on 12/16/12. Usually populated by artists and photographers, I decided to see what it'd be like as a writer to attend. Read more about the Charleston Branch here, and if you're unfamiliar with Dr. Sketchy's , I'd direct you to their website and Wikipedia page.

Special thanks to the beautiful models Pepper Fandango and Ophelia Darc, who helped inspire much of this story, though it is not my intention for it to be an accurate depiction of either. - The Management.


 ~

“So much fighting under the sign of the cross. So much hate, and rape, and violence, and subjugation. How apt then that an instrument of murder would only serve to spread more! A one, two, one, two, three, four!”

The band’s name was inconsequential to most in attendance, and was, as was typical, well forgotten by many just after the DJ had proclaimed “presenting…!” So when Pepper stepped out on the stage, genuflected as one only can to the gods of Rock and Roll, legs splayed, arms raised, an uninterested look hidden partly under a devil-may-care quiff, gazing out into a sea of people she couldn’t care for and wouldn’t dare try, she felt a bit like meat and got riled by it. Then as the lights went up, the hammer came down, her fingers hitting the strings with the full force of her arm and all her frustrations. They didn’t deserve it, but Pepper was going to give every last one of them what they wanted anyway – her too long held back electric crash of excitement.

Still, Pepper wasn’t fooling herself. Their sound was not really revolutionary. Post-punk, riot grrl-influenced, Bikini Kill also-rans, the local papers had called them – all rags, the nicest thing they could say was that there might be some talent hidden under all that distortion. But it was a conscious choice, on her, and Leah’s, especially Hundy’s part. They called themselves “The Night’s Templar” – a statement that she and Leah weren’t looking for a knight in shining armor, they were just looking for tonight’s knight in shining armor. Because as Hundy had so succinctly put it, that’s why you joined a band, to get laid, and both Leah and Pepper had said they were down for that. And it was mostly true.

But Pepper had different luck, was maybe looking for different things. And in fairness, with her anger, she could be… intimidating.

After her own, half-screamed intro, Pepper let out a guttural shriek, a series of vowels masquerading as lyrics, and had to concede, at least right then – she was kind of fucking scary. And she didn’t need to look around at her band mates to know that, while musically, they were well in sync her, they were solely enjoying themselves, while Pepper felt she was also working something out. And that was a thing, that was something that happened to her on stage that she could never exactly call fun, even when sweating harder in a way she’d never say out loud, but always thought of as “post-coitally.”

When it came to enjoyment, Leah was having nothing but, working her bass with deceptively strong fingers and never casting her head upwards to the crowd. She learned the instrument just to be in the band, and along with a handful of chords she had also picked up that determined, yet distracted gaze that was the signature affectation of all bass players. It hid the fact she wasn’t entirely comfortable up here – she wasn’t like Pepper, she couldn’t get angry, couldn’t muster disdain for the folks in the crowd just there to see something pretty and dexterous prod at the strings and fulfill some fantasy. But she could get lost in it, fall into her part, and seem as confidant on stage as she actually was off.

Hundy, meanwhile, went wild on the drums, awful and useless as always. Sure, Leah had learned bass just to join the band, but that was respectable - Hundy had some delusion he was good. Really, it was Pepper’s foot pounding [from heart to heel, she always thought], and Leah’s thrum-thrumming that kept the beat, while Hundy just went all out spastic on his pawn shop drum set. Hundy wasn’t a bad guy, just a bad drummer, and a boy in a girl band, but he was necessary, a bass and guitar alone not enough to hold a more raucous crowd’s attention.

Despite his garbage drumming, Pepper still thought things felt… stronger tonight. Not perfection, lord, who wanted that? Feedback, their trademark distortion, every last millisecond of lost time, that was all fine, more importantly, it was their sound. And something about it was just working tonight, and Pepper loved it. Looking over, she saw that Leah was feeling it too, having moved into a near crouch, almost taking a knee, strumming as if paying tribute to the very instrument she plucked, feeling none of the pain her awkward stance suggested.

Pepper joined her best she could. Not going down – people who talked knew Pepper didn’t ever, ever go down – so instead she raised her knee, placing her foot strong on the rented amp in front of her, which, rented or no, in her head she proclaimed “MINE!” thrusting crotch and guitar outward, towards the rhythmically head bouncing crowd. With this gesture, the pants she’d chosen, ratty, threadbare jeans, not lucky, just the most clean [and definitely not clean at that], had strained and split, and Pepper felt cool air and hot breath hit her in one of the many places she usually didn’t show, at least not to quite so many at once. Yet she didn’t care – it felt amazing, every drop of condensation giving her a shiver. She leaned herself back, and threw her pelvis forward, stressing the seams further towards complete release.

It was then, in her moment of extreme exhibitionism, that something else struck Pepper, a rarity, even when the show would go poorly. She noticed a face, not the sopping wet beard Hundy currently refused to shave, not the keen focus on four chords that was Leah. No, this was a face in the crowd. A petite and fair complected girl, stunning in the club’s refracted stage lights, which gave her an almost preternatural glow. She struck Pepper as young, not quite a post-teen, but she’d always been terrible at gauging such things. She was definitely overdressed for the the sweltering venue, a low-cut sweater, a heavy coat, and fingerless mittens, with high boots and stocking legs that made it look like she’d just come in out of the snow. And unlike the rest of the crowd, she didn’t bop, or jive, or sway, in fact, she hardly moved.

Save of course, to raise her cell phone, an older, flip-model thing, attached to a lanyard hung around her neck, which she used to take picture, after picture, after picture. Pepper could see each flash, accompanied by the girl’s unwavering eye contact, and though it was impossible – it certainly should have been, over the blaring music she herself was playing – the rocker swore she could hear each click.

And Hundy’s drumming was still so bad, Pepper found it easy to supplant the tempo.

Click.

Click.

Click.

Just one more thing that made the night feel different. Which was great, even when Pepper missed the chorus, and Leah reached out and playfully backhanded her, thinking their lead was going on auto – which wasn’t odd to think, the way she was staring, mouth agape. She snapped her lips shut so hard she felt her teeth clack together, and to shake off the pain whipped at her sweat-drenched hair, the quiff taking flight only to fall down again, into her eyes.

The girl was pretty. But dammit, she was playing. Like she never had before. No distractions. No exceptions.

At least not until after the show.

~

There’s this ridiculous, gendered myth that women are somehow more adept at reading signals than men. In Pepper’s case, at least, nothing could be farther from the truth. She rarely had any good goddamn idea what anything anyone ever did meant. Fans of the Templar, if there’d been any, might have noticed this reflected in her lyrics, her writing devoid of any symbolism, and generally focusing only on what she knew for sure – fights, slights, and the revenge fantasies that spiraled out of them. Anger was straightforward, easy, and for Pepper, most honest. All those other feelings, affection, especially, she had problems with.

Leah had no such qualms and in fact quite liked playing the game. Take tonight, for instance, with the show over, she’d already pulled off her shorts and was sitting, her shirt pulled down into a makeshift skirt, bare-legged with all the leather-clad boys. They looked quite silly, trying to be tough with their steel studs and spikes, but all at the beck and call of Leah. Their little metal bits of testosterone were just punk rock bedazzle before her and she liked their attention like this, where she felt in control. And Leah’s smooth, naked legs were more than straightforward in their intentions. Leah was hot, and not just from the set, and was looking for her knight.

Pepper could just picture Leah in front of her mirror earlier that evening, making sure the length of her skirt was just right, comfortable, revealing, but not too much. She’d heard other girls, at other shows, say the same things, but always so catty. Pepper respected it, that Leah could navigate it all, that nothing cool she did was ever accidentally. The split in her pants right now had shifted from liberating to inconvenient, to maybe a touch obscene. Leah’s shorts could have fallen to pieces to get her here, and each glimpse of soft thigh and curved calf would have been well planned. Pepper had to stop herself, from lingering just a little too long on the elegance of her bass player’s knees… complicated thoughts for another time.

After all, she had an admirer to find. And probably, likely, strike out with.

Back against the wall and just the right of the merch table, Pepper found her photographer. With the loud mingling of the room, friends and fans rubbing elbows with the acts that night, everyone well and comfortably in beer ticket mode, the girl stood out in her anti-social stance, totally engrossed in her phone’s phosphorescent glow. Flipping through pictures? Most probably. Unapproachable? Most definitely.

A loud duo of cackles disturbed the tempo of the room, shifting Pepper glance from the solitary photographer and back across the room. Leah’s legs having coming uncrossed mid-story [intentionally, no doubt. This was how Leah tended to weed out the creeps], at least two wide-eyed punkers found themselves unable to do anything but comment on as much. And despite her appearance as a delicate, wispy thing, the bass player was not one to ever let perving stand, and she hauled off and punched the closest offender to her, hardcore crumpling under her secret might. The second cackler fell back as if struck too, pure shock that Leah was not the grinning girl she appeared to be, frightened by the dripping blood where knuckle met stud.

Pepper could have rushed over to help her friend, but knew, despite all this, things were well and in hand, and she was likely still interested in at least one of the better mannered of crew. And anyway, those still standing were so keen on rallying for Leah’s affection that they’d jump to her aid even if it meant blocking another leather and denim brother’s cock. Sans those two boys, she’d completely won the group over, not by exposing her long, soft femininity, but by showing off her own rush of disarming machismo.

And some boys can stand to be taught, Leah had said, some even like it, and now each in this group knew, at least for the moment, hopefully longer, that clothing was never a sign, and that bare legs alone were not an invitation. And while Pepper agreed with this, she did wish it could be, at least, an available signal in the unspoken lexicon between her and this girl. But up this close, Pepper felt like there was a wall between her and the girl that she’d kill to crash down with a physical sign, but no, no bare legs on this one, no Leah-esque hints of a mating ritual, or even light interest, just posh strap-up leather boots, ending just below the knee, and devouring dark colored stockings, paisley on paisley on paisley, whose pattern could have well been tattoos.

As was the intensity of her stoical face, focused so completely on the snapshots she’d taken. She seemed to be frowning, so serious was her focus, yet she seemed to engrossed to be unhappy. And it confused Pepper, so much so that in frustration, she felt resolved to just step up and say hello. But two steps from her target, she was stopped dead, focused eyes glanced upwards and looking right into her, dark pools perfectly framed by ebony hair, complete with bangs like an Egyptian queen. Hair straight like curtains, the whole thing mussed enough to be so fucking twee.

And in most cases, this would be Pepper’s, or anyone’s, chance, now having the attention she wanted, she needed. So calling on her inner wallflower, she turned and fell back, quite effortlessly, landing gently beside the cell phone queen. She let her quiff of hair fall into her eyes, a quaint, reassuring bit of cover she once used when she had trouble getting on stage. And still feeling shy in this moment, she moved it over one eye, and hoping to shift into a look of interest instead of her trepidation.

Photo girl had seen all this, but all purpose behind it was entirely lost on her, and shrugging, she went back to her phone, quickly getting lost in her pictures again. Her focus seemed to increase – ignoring her? Pepper wondered – and the girl’s chin dug deep into a previously unseen dimple on her chest, with a force befitting her concentration. Pepper couldn’t help but notice a growing red flush across the phone girl’s chest, and found herself suddenly self-conscious, never having encountered the hazards of a lovely, pointed chin.

Curiosity getting the better of her, yet again finding herself in that place where she wasn’t ready to speak, Pepper let her eyes fall lower [no, not like that], and noticed on the backlit screen her mystery girl was browsing through a series of photos of Pepper herself, full of power and all screams in her triumphant performance from moments ago. Flattered, Pepper felt the blood rush to her nose, the first place she blushed, and shifted against the wall to try and hide it under her sweat-soaked hanging bit of hair. Yet it resisted the move, and to make the gesture even more futile, the rip in Pepper’s pants, not crossing from crotch to belt-loop, shifted instead, letting one side of her ass hit the grimy, cold stone of the wall, making her yelp in surprise, and jump. 

If only she’d been looking to get noticed in the most awkward way possible. She would have succeeded.

To her relief [sort of], the girl once more glanced up, surprised by the other woman’s outburst. She brushed back her hair, looking just a smidge older for a second, and gave Pepper a look that suggested she hadn’t seen her when she’d approached before. As confusion spread, she offered a weak smile, and suddenly then those dark eyes widened, and the slightest rosy hue came to her cheeks, and she let out a simple, breathy sigh.

“Oh.”

In a rare moment of clarity, Pepper realized she hadn’t been recognized. To this girl, until the moment, that woman on stage was someone altogether separate from Pepper herself, to her, here, she was just another awkward, sweaty club-goer, there to enjoy the show and stupid or unfortunate enough to leave the house with the crotch of her pants ripped out. And there was a beat, and then more nothing, neither sure how to proceed.  And then another moment passed, and the girl’s expression changed, and now looking at Pepper like some rare beast, the girl once more raised her phone. 

Pepper was blinded by the flash, so much so she never saw the girl leave. But she did hear the click, and something else.

“Great show.”

Reviewed! "Calamity Cash and the Town with No Name" featured by Gothcupcake!

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Sorry for the radio silence as of late - despite being wildly anti-climatic, the holidays seem to have been no less eventful. But big news has come down the tubes today that I just had to pop on and share!

"Calamity Cash & The Town with No Name" received a bit of coverage over on Gothcupcake's "BLOG... OF... HORRORS!"


Mary "Gothcupcake" "Mary Cakes" Ciesynski is an internet friend, met as most internet friends are, through a beautiful cosplayer best known as Jettie Monday, who was kind enough to post pictures of every awesome thing she does, and every awesome person she's with, and Mary was rocking out in one looking perfectly punk and absolutely bad-ass in a Pussy Riot shirt. Gothcupcake is something of a jack-of-all-trades - she's an artist, a baker, a writer, photographer, and a musician, who also runs the eponymous Gothcupcake Etsy store, which, to quote, is a "one stop shop for all things spooky, cute, weird and vegan." [Vegan eye shadow, guys - bookmark that store, you're bound to need it at some point in this day and age.]

She also blogs, and has done a review for "Calamity Cash" and given Justin and I some seriously generous pimpage in the process. So anyone who shelled out some cash for a copy, and wants to know what a fellow reader thought - head over, and  check it out. And if you're still on the fence about buying a copy [which are still on sale!] go forth and bask in the convincing testimonial.

And keep following Gothcupcake's Blog of Horrors for new horrors, and her Twitter @Gothcupcake for plenty of other stuff too. And thanks, Mary!

You can order a copy of "Calamity Cash & the Town with No Name" via the button on the sidebar, or here:


 


"Calamity Cash & The Town with No Name" (25 pages, $3.50, plus shipping): The mother/daughter vigilante team of Tana and Cal Cash are on the run from an Afro-rocking, Kung-Fu assassin, and have been forced to make their last stand in a nameless desert town hiding an unbelievable secret - every last citizen is in the Witness Protection program! Out of gas, low on ammo, and with their backs against the wall, Calamity and Mama Cash become the town's unlikely protectors, but with friends so quickly becoming enemies, and old enemies becoming friends, is the whole place doomed to burn? And will our heroines be the ones to light the first match? A modern-day action/adventure western with words by Randall Nichols, and art by Justin Cornell.

Return of The American Horror Story Late Show with Sarah Crow - "Dark Cousin" and "The Origin of Monstrosity"

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Coming back from the dead as if it were everyone from season 1, this past Thursday "The American Horror Story Late Show" with Sarah Crow returned to Spreecast, where Sarah and I discussed the newest episode "Dark Cousin" and the episode we missed "The Origins of Monstrosity."


Admittedly, trying to cram two weeks full of the acid trip that is "American Horror Story: Asylum" is no easy task, and we cover everything from our love of psychotic children, to Frances Conroy's blessed return to the show, and this season's portrayal of rape compared to the last's. Plus Sarah geeks out as she tries to tie both American Horror Story seasons together, and I mix up the show's only two black characters and never quite recover from the embarrassment. I even go into full-on film-student rant mode at one point. Assuming you're very forgiving, the archived show is a good time, and I encourage you to check it out on Sarah's channel.

It's really, really, really important to check these out if you enjoy what Sarah does, and like seeing me on her shows. Views are everything people, so if you're a fan, or know fans, tell your friends!

And don't forget to join us Monday at 1 PM EST for a recap of the mid-season finale of AMC's "The Walking Dead," the last time you'll be able to join Sarah and I for zombie-goodness until the show returns in the Spring. In the meantime, you can follow Sarah on Twitter @sarahgcrow [and me @themojowire], catch last week's Walking Dead Recap, and check out Sarah's other Spreecasts [and maybe even watch the American Horror Story one again] here.

Spreecast with Sarah Crow - "The Walking Dead Episode 7 - When the Dead Come Knocking"

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Happy Monday everyone. Garfield having taught me what unemployment never could, most people dread Mondays, but with a new episode of the The Walking Dead, and a new Walking Dead Spreecast hosted by Sarah Crow, the only thing you really have to fear is endless hordes of the undead! Well, that and racist rednecks with bayonet hands.



So come join us on Sarah Crow's Spreecast channel and watch the archived show now, as we try and gage just how badass Michonne is, I blush hard about underwear decisions during the zombie apocalypse, and cheer on fan-favorite Glenn's [who apparently has quite the female fan-following] biggest moment so far in the series.

For those you who have been tuning in week-to-week, I can't thank you enough. Views keep this show going, and without the viewers, there'd be no Walking Dead Recap Spreecast at all. But [fingers crossed!] we've made it the whole half-season of The Walking Dead, and with the mid-season finale looming, Sarah and I would love to have you all join us LIVE at 1 PM EST next Monday to send-off the half-season in style. 

So catch up with this week's archived show, RSVP to next week's [when it goes up], and make sure to follow Sarah on Twitter @sarahgcrow and me @themojowire. And if you're a music lover, catch Sarah's next Spreecast, where she interviews Time Travels Lead Singer Frank McGinnis tomorrow at 8 PM EST.

Post this to your Facebook. Protect Your Privacy.

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Recently the social networking site "The Facebook" instituted a new series of rules and guidelines for how they may handle their users' content. The Management would like to help his fellow Facebook users by providing an easy to use, solution for protecting themselves. Or you can just share this post on Facebook. That would probably work too. -- The Management.


"In response to the new Facebook guidelines I hereby declare that my saliva is attached to all of my personal details, illustrations, comics, paintings, professional photos, videos, most of my personal photos, some of the photos other people have tagged me in, as well as several memes I had no hand in creating but believe to be mine anyway because they say something deep and special about me, etc.

For commercial use of the above you just have to be okay with the fact that I licked it all before I put it up.

That's right. I licked them. All of them. And I'm not telling you where.

(Anyone reading this can copy this text and paste it on their Facebook Wall. This will place them under protection of the rule that says, generally, people don't want to touch, fondle, eat, or use things that has your spit on it. Barring significant others. Sometimes. Oh, and this means you have to go through and lick everything too. That's going to take some time. Especially if you get dry mouth easily. Or you had to seal a lot of envelopes today.

By the present communiqué, I notify Facebook that it is more than welcome to disclose, copy, distribute, disseminate, or take any other action against me on the basis of this profile and/or its contents. But it'll probably be touching something my tongue has touched. Can they live with that? I don't knoooow. The aforementioned possibility of touching something my tongue has also apply to employees, students, agents and/or any staff under Facebook's direction or control. The content of this profile is on the Internet, and fairly easy to access and steal anyway. But throughout grade school, middle school, and at least the first year of high school [and the second year of college - weird times], this was the best way to punish people who tried to take my stuff.)"
 

Spreecast with Sarah Crow - "The Walking Dead Episode 6 - Hounded"

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In a rare case of me being on top of things, here is the newest Walking Dead Spreecast with our host Sarah Crow, mere hours after it was recorded.


This week's episode of AMC's The Walking Dead is entitled "Hounded," and in the grand scheme of the show will probably be remembered for bringing one of the oddest moments from the comics quite successfully to the screen. As an adaptation buff, I couldn't have been more pleased with how this translated, but I'm afraid I can't get too much into it here without hitting you all with some serious spoilers. But Sarah and I delve deep on the Spreecast, and if you missed it live, it is archived now on Sarah's Channel.

So come on in, and watch us talk about dating during the apocalypse, necrophilia, family values, and the Lion King. Plus we even talk about the show, and celebrate a fan-favorite character from the comics coming in next season, played by an excellent actor from HBO's The Wire. It's a good time all around.

So go, shotgun our show, catch some of Sarah's other Spreecasts, and look forward to her special this Thursday when Sarah will host a special "Turkeycast" while she makes Thanksgiving Dinner and entertains conversations about the best holiday specials. It airs LIVE at 12 PM EST, and is not to be missed.

And remember to follow Sarah on Twitter @sarahgcrow, and me @themojowire.

And in case I don't post before then, Happy Thanksgiving, everyone.

Spreecast Roundup with Sarah Crow - "The American Horror Story Late Show" and "The Walking Dead Recap" for the week of 11/11-11/17.

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Before the new episode comes on tonight, I thought everyone might want to catch up with last week's undead shenanigans with Sarah Crow and I on her Spreecast Channel.



We cover all the "Lori's Dead" fallout in the episode "Say the Word," talk a lot about Redneck parenting skills, and how madness plays such a big role in this show. I think it's really fascinating how we get to see so many different characters reach their particular breaking point, and not only what comes during that [in this case, some pretty intense hack and slash style axe-killin'], but also what it's like to come back from that, or if the characters ever really can, or do.

You can watch the archived episode of us recapping the show here, but be kind - we are both quite noticeably wiped out from Sarah's wedding this past weekend. And by the by, congratulations to the newlyweds, and send them their regards on Twitter @sarahgcrow and her hubby @ryaniscool. Congratulations, guys.



And finishing up this past week in horror television is "The American Horror Story Late Show" recapping the episode "I am Anne Frank Pt. II." If you've been following the show [AHS: Asylum, not our Spreecast - though why wouldn't you be keeping up with both?], this was a pretty huge episode, finally unmasking the man known as Bloody Face, in quite spectacular fashion.

And keeping with the theme of the show,  Sarah and I have quite the good time, talking about everything from speech impediment that makes "horror" sound like "whores," the nuances of Sex, Murder, and SexMurder, and necrophilia. We also manage to talk a bit about the show! Not to toot our own horn, but all the Spreecasts Sarah's had me on have been great fun, but I'm not sure why, but we just could not stop laughing during this one.

You can watch the archived Spreecast here. I'm also contemplating suggesting a drinking game, where when watching these, you drink every time Sarah and I start talking about the X-Files or Law and Order: SVU, and try not to die of alcohol poisoning. 

And as always, spoilers, sweeties.

Check out both shows, Sarah's other Spreecasts that don't feature me [you don't want to get too much of me, folks], and remember to follow us on Twitter @sarahgcrow and @themojowire.

"The Man Who Could Have Everything" - Short Fiction

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He sits waiting patiently in the welcoming hall, anxious about his earliness, a change from just an hour ago, where he decided leaving an hour sooner might ease his panic about being too late. It felt embarrassing, like someone might ask what he’s doing there, or see him as someone in the way, so he sinks into his chair and moves his head only carefully, for fear that a creak of the neck to look around might echo as loudly as a misstep on the wooden floors, and set anyone there upon him in great annoyance.

The only thing worse than being noticed at this point, was nobody noticing him. But such was the case. It seems, as the staff busied themselves around him, oblivious to their overly punctual guest. He’s left with little to do but take in the place, and notices with some pleasure that the hall suits its title, and most definitely feels welcoming. The doors were old wood, squeaking on their hinges in a manner that seemed more heartwarming that annoying. The mirrors were all polished to perfection, their frames shining brightly too, yet around the edges there was just the slightest black, an adhesive gone off years before, or perhaps some strange imperfection in the glass itself. Above him hang small yet clearly antique chandeliers, but all light in the room came from the brass fixtures, not one affixed crookedly, and each carved to look like a stag’s antlers.

Everything here seemed to precariously straddle the line between old and class, as if a layer of dust or a broken hinge might set off a chain reaction, ruining the place. He appreciated the balance, but found it also unsettled him too, as if his presence before the event’s allotted time could also act as a tipping point. He felt the urge to undo his collar, to loosen his tie – this early, a very bad sign.

A man suddenly appears, well-dressed with graying hair, holding a tray with a crystal glass full of a clear, carbonated liquid set on it. Next to the glass is a simple square of napkin and a small plate with a single wedge of lime, arranged in such a way to look professional, yet casual – how he wished he looked.

He takes the drink as it is offered to him, and brining it gently to his lips has a sip. He is immediately surprised, and looks up at the man as he asks “How did you know?” his palate suddenly abuzz with crisp tonic water mixed with his favorite gin.

The man smiles without too radically shifting his features, and answers in a muted, indistinguishable accent. “Sir, it is my job to know.” He takes another sip, and notices the expectation hanging in the air, looking back up once again, lets approval spread across his face. The waiter nods lightly, pleased, and moves out of the room, swiftly, but not in a manner that could ever be considered brisk.

A moment passes. Things return to how they were when he first sat down, just the room and the bustle. He feels invisible again, but far more comfortable. If not for that, and the drink still in his hand, it could have all been in his imagination. Not for the first time.

He sips his drink quietly, not so much savoring it, but more worried that his spectral servant and savior might not do an encore if he was heard slurping, or crunching ice between his teeth. Besides, he didn’t need the latter – he was getting that feeling again, that chill, the tingling that moved from his up his spine and outward, engulfing his back and spreading all the way to the tips of his fingers and toes.

He wondered sometimes about the chill. It always came on when he was feeling nervous, or rather should be. Before, there was self-consciousness, but with his drink, sitting here now, nothing felt more natural to him. He was no longer waiting on the party – the party, for him at least, and begun now that he had arrived.

Anxiety. So much of it that he felt seemed to have so much to do with place, setting, being when and where he was not wanted, expected, or supposed to be. The curse of courtesy. Yet when that feeling, that chill, spread through him, none of that mattered. He felt calmer, more home. Even… comfortable? Not quite, but better. But why? Something occurred. Was he changing himself? Or did that shiver, did the chill spread quite beyond his personage, and change the world around him too?

Was this power? Was this some subtle ability? An innate, preternatural protection for himself, a balance for his cowardice? He found himself at a loss to remember the first time it manifested. Had there been some kind of accident? Did he have a secret origin? Why could he no more remember when he developed this power he used to cope than he could recall what first set off his IBS and panic attacks?

A test seemed in order. There was an obligation, to see not just if it did exist, if he could do such things for himself, but if he was only changing how he felt, or if instead he was shifting, not just emotions, but the greater world, forcing it to stop affecting him. And if so, how far did it, how far could it, extend?

He set down his drink, and cast his eyes downward to the table in front of him. Each moment of panic had felt tactile, like something had brushed past him, and kinetically, passed to him the urge to react as poorly as possible. Perhaps contact was key, so placing both hands palms down, he felt the ornate table cloth, rough on his hands, cheaper than it looks. You can’t trust antiques with drunks, you can’t save certain kinds of history from spills. He noticed his urge to digress, and focused himself, willing the table top, the entire table, and the chairs around, pushing firmly for them to be anything other than someplace to sit. The need for this place to be anywhere but here.

He suddenly felt the tingle, and the hairs on his body rose from the chill, and he shook for a moment, not from the pressure he applied, but rather his body’s sudden pressure drop, and were he to lift his hands and find ice on his finger tips, he would not be surprised. In spite of this, the table remained just that – a table. It didn’t alter, or shift, or change. Disappointment loomed, and under the cold, from out of his heart, and spreading just under his back, he could feel the anxiety rise up again.

As his head warmed, it screamed at him, beads of sweat actually appearing, unlike the phantasmal ice he’d imagined. He wanted to leap from the table, but in picturing it, he saw himself knocking the table, spilling his drink, making it to the door post all this horrible chaos, only to come face to face with those he’d come to see, with friends and their strangers who he had been waiting for. He tried to lift his hands and immediately saw they were trembling. He tried to push himself up, but the clamminess of his hands slipped on the tablecloth and in pushing off, he only slid further down into his seat. The quaking of his hands, the shaking of the table, these were not hallmarks of someone waiting patiently. Embarrassment swelled.

This was all interrupted with a sound like a cough. He jolted upright in his chair, as if waking from a trance. The table under his hands looked undisturbed. His head felt dry, and his hands no longer clammy. He wasn’t sweating quite like he had imagined. It all seemed crazy now, a series of logical leaps one could only make in dream he’d while dozing.

The waiter cleared his throat again, but appeared before him as if he’d only performed said alerting action for the first time. Apologetically, his gracious server asked if he would move. The staff had need of the room.